“ actually would sum up most of what we were about,” May told Cuepoint in 2014. Penned by Mercury about manager John Reid, the song plows the same ground laid by “ Bohemian Rhapsody,” although it’s not as widely known as that Queen classic. Of course, when recording the tunes, it was all hands on deck, especially with such complicated compositions as “The Millionaire Waltz,” with its many time signatures, stacked vocals and symphonic guitar parts. As with Opera, Mercury and guitarist Brian May handled the bulk of the songwriting, with Taylor and bassist John Deacon contributing a song apiece. Without Baker, Queen sought to achieve the same dynamism as their previous release, covering plenty of musical ground between hard rock (“Tie Your Mother Down”), soulful pop (“Somebody to Love”), dance hall (“Good Old Fashioned Lover Boy”) and wildly shifting studio creations (“The Millionaire Waltz”). We simply felt that it was now or never.” The other albums we really co-produced, actually we always took a very keen interest … Roy’s been great, but it’s a progression, really – another step in our career. “We were quite confident in doing it ourselves. “We just felt that, for this one, we needed a bit of a change,” frontman Freddie Mercury told Circus in 1977. After four albums, all helmed (at least in part) by Roy Thomas Baker, Races would be Queen’s first self-produced disc. Yet, the “sequel” differed when it came to the album’s producer. Queen’s Opera had been the most expensive album to date, and drummer Roger Taylor said that Races cost around the same amount, due to the amount of intricate studio trickery.
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